In March 2022 HAZE GALLERY will introduce four of its artists at AFFORDABLE ART FAIR, Brussels

By Januar 24, 2022 No Comments
In March 2022 HAZE GALLERY will introduce four of its artists at AFFORDABLE ART FAIR, Brussels

Bülowstraße 11, 10789, Berlin



Avenue du Port 86C, 1000 Brussels

23 March, 18:00 – 22:30
24 March, 12:00 – 22:00
25 March, 12:00 – 18:00
26 March, 10:00 – 19:00
27 March, 11:00 – 19:00

In March 2022 HAZE GALLERY will introduce four of our artists at AFFORDABLE ART FAIR, Brussels. This occasion is important for galleries, because it’s a mark of the high level artists that galleries represent. Despite the name of the Fair, all works, artists and galleries were selected very carefully..
This is the first time HAZE GALLERY participated in an Art Fair and it’s very exciting and honorable. We selected four artists and they are very different, but all of them have an unique original style, artistic language and, as we expect, will be interesting for visitors of the Fair and art connoisseurs from all over the world.


Affordable Art Fair Brussels will be back with its 13th edition. Treat yourself to an artistic adventure with 1000s of contemporary artworks from over 75 local, national and international galleries. You’ll be welcomed by our friendly team, along with galleries, artists and other guests to enjoy the exciting range of artworks on show. Join us for a long weekend filled with affordable art, a creative entrance installation, a workshop and much more.


Born in Brasília, the capital of Brazil, Kleber Cianni uses his art like a language to access a space without time, where he can play whatever he wants, without barriers or borders. His works are very impressive and colorful.
“Right now I’m a brush, color, art and artist, all together making room for the idea to take shape. Focused on the process, I let my body free to tell the images of the ancestral stories that come as breaths in my ears”.


In her works, Kristina examinse the beauty and fragility of the natural world. Her sculptural language is rooted in classical European traditions of porcelain art, engaging with themes of beauty, biomorphism, and notions of the micro and macrocosm. One of her main ideas is to capture the transformation of ephemeral brittle beauty into petrified porcelain forms that will stay like little eternal monuments of delight and celebration of life.
Inspired by Renaissance traditional still lives with their visual relish of objects, she creates sensual biomorphic shapes formed from repetitive and fractal modules.


Marina WitteMann, being a synesthete, feels the world a little deeper and more fully than the other persons, she sees in color the emotional states of surrounding people, vivid experiences, pain, anger and euphoria. That is why the works she created strive to break out of the framework of generally accepted art forms. That which had no volume, breaks through the two-dimensional space, color acquires shape, paper — texture, depth. Each work is an outspoken image formed through the prism of the artist’s perception, through the fusion of several sensory levels at once.


All life long Nat physically felt the foreignness of the environment in which she came for money, comfort, an apartment in Moscow, a vibrant life, hedonism, and lightness. Long time she searched for herself through science, psychoanalysis, esotericism, and much more. She understood what it means to be herself when she was reborn, having forgiven and accepted herself, freed from self-identification through the bodily – both male and female principles harmoniously exist in her, she feels like an androgyne. And now she embodies her thoughts and ideas, love and hate in what she does – she creates endless worlds. 

“I remember very clearly how, at the age of five, from my birth, a dream broke out in me – to become a famous artist”.