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SILHOUETTES

By /FASHION/, /NEWS/

SILHOUETTES

AD Hana Gomaa @byhanag

Photo & Post Caroline Zenker @carozenker

HMUA Aminata Linteau @amybrxwn

Styling Lena Flohr @lena_flohr

Model Gigi Riefenstahl @johanna.riefenstahl

Agency Modelwerk @modelwerk

Bookers @angelina.26_ & @charlotte.modelwerk

Lace maxi skirt in burgundy red with decorative stitching  ASOS DESIGN

Bordeaux top I Stradivarius Bag I Chloé

Black, pointed sling pumps I H&M dark red tights I Calzedonia

Coat  atelierflohr Long sleeve body bordeaux  Stradivarius

Wrap velvet skirt I Diesel

REBEL ECHOES

By /FASHION/, /NEWS/

REBEL ECHOES

Nastassia Romashova @romashovva

by Ovidiu Oltean @therealovidiuoltean

styled by Madalina Preda @madaliciousss

project management Iulia Bucsar @iulialuliahulia

post prod Venus  @venus_retouch

model agency Titanium Management @titaniummanagement

Ann Demeulemeester dress, Maison Margiela balaclava

Balenciaga Rodeo bag; Acne Studios jeans, Oakwood cap.

Vintage Ann Demeulemeester Blazer from 1995; Ann Demeulemeester satin pants; COS shirt.

 Vintage Ann Demeulemeester Blazer from 1995; Ann Demeulemeester satin pants; COS shirt.

 Murmur body & tights;  Ann Demeulemeester vintage cape  Balenciaga blazer; Maison Margiela skirt, collar & bow tie

R13 leather jacket; VOL socks 

AUDREY

By /FASHION/, /NEWS/

AUDREY

Director                                 Svenja Blobel @svenja.blobel

Camera & Edit                      Julia Rosenau @julia_rosenau_

Styling                                   Geraldine Heeb @geraldineheebstyling

Hair & Make-up                   Eleonore Ising @eleonore_ising

Gaffer                                    Luis Bompastor @lbompastor

                                                  Lisa Bach @lisabach_fotografie

Production                            Ruby Gold @rubygold_504

Color Grading                      Nicolai Ditsch @nicolaiditsch

Talent                                    Victoria Depta c/o Modelwerk @victoriadepta, @modelwerk

Music                                     TYP @typ__typ__typ

Bra: FOR LOVE AND LEMONS (@forloveandlemons) Pants: DKNY (@dkny) Shoes: ALEXANDER MCQUEEN (@alexandermcqueen)

Top: MIISTA (@miista) Skirt: CALVIN KLEIN (@calvinklein) Shoes: PRADA (@prada) Harness: AGENT PROVOCATEUR (@agentprovocateur)

Suit: AGENT PROVOCATEUR (@agentprovocateur) Shoes: MIU MIU (@miumiu)

Bra: FOR LOVE AND LEMONS (@forloveandlemons) Pants: DKNY (@dkny) Shoes: ALEXANDER MCQUEEN (@alexandermcqueen)

Outfit: YVONNE WADEWITZ (@yvonne.wadewitz) Socks: FOGAL (@fogal1921) Shoes: PRADA (@prada)

THE ARRIVAL

By /FASHION/, /NEWS/

The Arrival

The Arrival, an editorial that traces the journey of model Manny from APL Models, a celestial being as she encounters the essence of human emotions—fear, anger, sadness, joy, and hope—set against striking natural landscapes and elevated by bold fashion storytelling.

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Rachele Frison on art, identity, and everything in between

By /ART/, /INTERVIEW, /NEWS/

Rachele Frison (b. 1995) is an emerging Italian artist based in Milan. A graduate of the Brera Academy of Fine Arts (2023), her practice is rooted in drawing, which continues to inform the structure and texture of her oil paintings. Frison’s work draws heavily from folklore, fairy tales, and art history—blending mythic symbolism with a contemporary visual language. Her compositions are intimate and dreamlike, often inhabited by ambiguous feminine figures and ritualistic natural elements.

She has participated in group exhibitions in Switzerland, Italy, China, and Denmark.
Follow her on Instagram: @rachelefrison

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In coversation with Zhou Yang

By /INTERVIEW, /NEWS/

In her hauntingly poetic project Faërie, Chinese photographer ZHOU Yang transforms historic literati gardens into timeless dreamscapes that defy the constraints of the physical world. Working with analog photography, Yang merges tradition with transformation, reviving spaces once built for meditation and escape into worlds of myth, memory, and longing. Exhibited across major festivals in China and beyond, her images beckon the viewer to step beyond the tangible, into the delicate space where culture, history, and fantasy blur.

In this conversation, we uncover the philosophical roots of her practice, her fascination with the unseen, and her belief in photography as a portal to an imagined yet utterly believable world.

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Touché Gloves – Parisian Chic

By /FASHION/, /NEWS/

TOUCHÉ GLOVES – PARISIAN CHIC

Creative Direction & Brand:

Touché Gloves @touche.gloves

Photography:  Jude P @judefotografy

Styling & Art Direction: Lali Mound @lalimound

Model: Fanny Deltour @fanny_deltour

Nikita gloves (Cognac leather) – Touché Gloves @touche.gloves Prada vintage faux fur coat

Michelle gloves (Cancun red leather) – Touché Gloves @touche.gloves Grey faux fur „vera wang“ right Marion gloves (black studded) – Touché Gloves @touche.gloves

Nikita gloves (Cognac leather) – Touché Gloves @touche.gloves Prada vintage faux fur coat right Marion gloves (black studded) – Touché Gloves @touche.gloves

SUSTAINABLE again

By /FASHION/, /NEWS/

SUSTAINABLE again – it’s a photographic project organised by photographer and art historian Iana VS in collaboration with the networked vintage resale Carla caritas Wien in Austria, Vienna.

Even before I started with photography, I was drawn to vintage shops and second-hand resales. When photography entered my life, vintage clothing became a perfect way to express creativity and complement concepts.This is how the concept for „Sustainable again“ gradually came to life.
The project personifies the identity of a completely irrational consumer, a shopaholic lost in what is often referred to as a „sustainable“ space. Overdressed women, who are no longer individuals but rather details of decoration, have become so obsessed that they have transformed into lifeless mannequins.

Second-hand clothing became popular in Europe in the 1950s and 1960s. In the 1990s and 2000s, with growing awareness of environmental issues, second-hand shops became associated with sustainability, fashion, and uniqueness.Thus, we do not promote the creation of a bicycle that has been working for a long time. We only remind us that we still have it.

Reuse of things makes it possible to develop creativity and resourcefulness, contributes to a positive impact on the environment, preserves natural and Human Resources. That is enough to do better already today.

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