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BUNT x Maia del Estal – An Interview with Creative Director Amelie Trimpl

By /INTERVIEW, /NEWS/

The music changes, the lights flicker, and in walks Maia del Estal. Two models are standing in the middle of the room, looking at the crowd.
Maia del Estal begins painting the canvases that the models are wearing, filling the room with a presence that makes everyone hold their breath. Almost in a trance, she transforms the canvases, designed by Ciara Fitzgerald, into masterpieces. During the performance, the models tell a story of longing, of the search for a soulmate. They reach toward each other, trying to connect, but fail to do so—until the paintings are complete and they are meant to meet at the right moment. They join hands, the lights go off, and the crowd screams. This performance took place at Please Space Studios in Brooklyn, NY, conceived by German Creative Director Amelie Trimpl as the official launch of BUNT AGENCY, a New York City–based creative agency. The pieces are currently up for auction, with 50% of the proceeds from each piece going directly to Trans Lifeline, an organization that provides emotional and financial support to trans people in need. Receipts will be shared with buyers after purchase. The remaining 50% will go to the artist and designer.

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Interview with dancer, actor and creator Stefanos Dimoulas and photographer G66

By /INTERVIEW, /NEWS/

From the tender architecture of ballet to the boldness of public advocacy, Stefanos Dimoulas moves through the world as both artist and activist. Known for his powerful portrayal of Greek composer Manos Hadjidakis in the award-winning documentary Manos Hadjidakis: Idol in the Mirror, and for his striking appearance on the cover of Attitude magazine alongside his father during Pride 2019, Dimoulas embodies a kind of modern mythology — rooted in Greece, shaped in London, and resonating across borders.

Trained at the Royal Conservatoire of Scotland, his neoclassical technique is refined and disciplined, yet his expression reaches far beyond tradition. On stage and in front of the lens, he uses movement to unravel inherited narratives and create new ones — ones that embrace queerness, migration, memory, and the evolving body.

In this exclusive conversation, Stefanos shares how he honors legacy through performance, reshapes classical form with personal truth, and choreographs emotion, history, and identity into a language all his own.

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Rachele Frison on art, identity, and everything in between

By /ART/, /INTERVIEW, /NEWS/

Rachele Frison (b. 1995) is an emerging Italian artist based in Milan. A graduate of the Brera Academy of Fine Arts (2023), her practice is rooted in drawing, which continues to inform the structure and texture of her oil paintings. Frison’s work draws heavily from folklore, fairy tales, and art history—blending mythic symbolism with a contemporary visual language. Her compositions are intimate and dreamlike, often inhabited by ambiguous feminine figures and ritualistic natural elements.

She has participated in group exhibitions in Switzerland, Italy, China, and Denmark.
Follow her on Instagram: @rachelefrison

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In coversation with Zhou Yang

By /INTERVIEW, /NEWS/

In her hauntingly poetic project Faërie, Chinese photographer ZHOU Yang transforms historic literati gardens into timeless dreamscapes that defy the constraints of the physical world. Working with analog photography, Yang merges tradition with transformation, reviving spaces once built for meditation and escape into worlds of myth, memory, and longing. Exhibited across major festivals in China and beyond, her images beckon the viewer to step beyond the tangible, into the delicate space where culture, history, and fantasy blur.

In this conversation, we uncover the philosophical roots of her practice, her fascination with the unseen, and her belief in photography as a portal to an imagined yet utterly believable world.

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Interview with art photographer Andrey Makalkin

By /ART/, /INTERVIEW, /NEWS/

In an age where high-definition clarity dominates photography, Andrey Makalkin deliberately embraces distortion, digital noise, and soft focus to create an alternative visual language. Born in 1997 in the Moscow region, Makalkin’s journey began with a passion for photography and digital collages, leading him to study cinematography at VGIK, one of Russia’s most prestigious film schools. His artistic evolution took an unexpected turn as he fused his love for art history, painting, and experimental techniques to redefine contemporary photography.

Through series like „Unsettling Things“, which explores childhood fears through an eerie yet poetic lens, and „Myths“, where he reinterprets ancient narratives through fractured reflections and vibrant hues, Makalkin challenges our perception of reality. His works, shot on a mobile phone and meticulously altered in post-production, blur the line between photography and painting.

In this exclusive interview, we dive into Makalkin’s creative process, his fascination with imperfection, and the symbolic layers hidden within his work. How does he see digital noise as an expressive tool rather than a flaw? What myths does he believe deserve a contemporary visual revival? And if he could photograph an emotion rather than a subject, how would he bring it to life?

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Interview with Nikita Nomerz

By /ART/, /BLOG/, /INTERVIEW, /NEWS/

Text Irina Rusinovich

Nikita Nomerz transforms urban decay into vibrant, living canvases. Known for his unique approach to street art, this Russian artist breathes life into abandoned structures by turning them into expressive faces and characters, often using windows and cracks to form eyes and mouths. Nomerz’s journey, which began in Nizhny Novgorod, has taken him around the world, where his work interacts with the environment in ways that blend art, architecture, and storytelling. His internationally recognized Living Walls project is a testament to his ability to fuse street art with the history and spirit of the spaces he occupies.

In this interview, Nomerz talks about his creative process, his philosophy on bringing forgotten spaces back to life, and how street art serves as a dynamic conversation between artist, architecture, and the public

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Interview with Xiomáro

By /INTERVIEW, /NEWS/

If your photographs could whisper secrets to their viewers, what would they reveal about the places and people they capture?

My photographs would whisper “there’s a lot we can learn about ‘the other’ and about ourselves from people and places of the past and the present. That we’re all fundamentally the same. If we take the time to look carefully, we’ll find extraordinary beauty embedded within the ordinary.”

Your work often reimagines historical sites—if you could time travel to one of them before it became a landmark, what moment would you capture, and why?

I’m starting a National Park Service commission to photograph George Washington’s birthplace in Virginia. If I could travel back in time to that place, I’d create an artistic photographic documentary series about Washington so that we can get a better sense of how his upbringing shaped his character. As the military commander of the American Revolution, he voluntarily stepped away from power at the conclusion of the war. Washington also admonished an army colonel for advising that he be made the “King” of America. Finally, after two terms as president, Washington chose to not seek reelection. Washington’s strong moral convictions, exceptional leadership skills, and commitment to public service should be the model followed in Washington, DC, and in seats of power around the world.
From the quiet landscapes of America’s National Parks to the bustling streets of the world’s great cities, Xiomaro’s lens captures more than just images—it tells stories. As an internationally exhibited artist and curator, his work breathes new life into historic sites, documenting their cultural and natural significance while also preserving candid moments of urban life as future history.

Commissioned by the National Park Service and featured in prestigious exhibitions across the U.S., Europe, and China, Xiomaro’s photography has drawn the attention of The New York Times, the Boston Globe, and major news networks like CBS and ABC. His journey, however, is as compelling as his work. Once a corporate litigator and entertainment attorney, a life-changing battle with cancer led him to find solace and purpose in photography. Now, through his art, writing, and upcoming books on street photography, he continues to frame the world with a unique perspective that merges history, philosophy, and personal transformation.

In this interview, Xiomaro shares insights into his creative process, his passion for preservation, and the profound experiences that shaped his artistic vision.

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Reflections of light and identity – an interview with GIRLISTHISSILK

By /ART/, /INTERVIEW, /NEWS/

Interview  by Irina Rusinovich

Interview with artist Katherine Silk

Art is often a mirror—reflecting not just the artist’s vision but the world around them. For Katherine Silk, known as GIRLISTHISSILK, this philosophy extends beyond metaphor. Her work quite literally plays with reflection, utilizing industrial materials like steel to create ever-changing compositions that blur the boundaries between space, viewer, and emotion.

With a growing global audience and exhibitions in Vienna, Warsaw, and Graz, GIRLISTHISSILK continues to redefine how we experience contemporary art. In this exclusive interview, we delve into her creative evolution, inspirations, and the deeper narratives behind her work.

Katherine Silk

You have lived in 14 countries and studied in multiple prestigious art institutions. How have these diverse cultural experiences shaped your artistic vision and creative process?

Living in 14 countries has taught me how different cultures see the world in ways that can be completely opposite but equally valid. It’s like hearing one myth retold in countless versions — each perspective adds something new. This experience showed me that blending diverse views creates richer, more layered results. On a personal level, this diversity helped me hear myself more clearly. When you interact with so many different people and places, you start to see what resonates and what doesn’t. It’s become easier for me to separate the noise from the truth. That clarity means every decision in my creative process feels more deliberate and grounded.

Your early work focused on painting human figures, particularly your “ Jack“ series. What led you to transition from figurative painting to working with industrial materials like steel?

I began with traditional subjects: portraits, still lifes, and classical themes. Over time, these evolved into the “ Jack“ series, where Jack became more than a figure; he was a friend, a source of support. Even now, he appears in some of my sketches. Jack was unusual — too elongated, almost alien — but his actions were deeply human. He gave people the freedom to be themselves, like a reassuring voice that says, „It’s okay.“ And in that moment, you can breathe freely again. Eventually, all my works started to merge into one, blurring into something abstract and universal. That’s when I felt the need to find a new medium to carry these ideas forward. Steel allowed me to do that: it’s a material that feels alive, constantly shifting with its surroundings. It gave me the freedom to explore unity and transformation in a way that figurative painting no longer could.

Katherine Silk

Steel is a unique and unconventional artistic medium. What drew you to explore its reflective and transformative qualities, and how do you see it shaping your future works?

In myths, there’s the concept of the „magic mirror”. These mirrors reveal truth, forcing you to confront yourself without illusions. In today’s world, it’s harder to lie to ourselves. Steel, to me, is like a modern version of this mirror. Its reflections are sharp and honest, making you see yourself as you are. Steel also challenges the way we think about art. It reacts to light, movement, and space, creating a dynamic relationship with its surroundings. Looking forward, I want to experiment with combining steel with resin or glass to create works that feel layered — almost like portals that shift between solidity and fluidity, offering a sense of depth and transformation.

Your works have been featured in international exhibitions, from Vienna to Warsaw and Graz. Which exhibition experience has been the most impactful for you, and why?

Two exhibitions stand out. The first was in Germany in 2016. It was my first time presenting my art internationally, and it showed me that I could connect with people through my vision, no matter the culture. That experience expanded my understanding of what art can achieve. Everything in the exhibition sold out, and the feedback was incredible. Despite not speaking German, I saw how art could transcend language and create meaningful connections. It was a turning point that opened my eyes to the global potential of work. The second was in Warsaw, where I worked with microbiologists in a large laboratory. When I first walked in and proposed using bacteria to show the beauty of our environment, they were surprised — wide-eyed, even. For them, bacteria were something to study, not something to present as art. I explained that we could experiment with colors and growth patterns to create something visually stunning rather than the typical beige or black Petri dishes they were used to. In the end, the results were vivid and alive, and the collaboration turned out to be as rewarding as the final pieces.

Katherine Silk

With a significant online following, how do you balance the digital space with your physical exhibitions? Has social media influenced your artistic direction or the way you connect with your audience?

Initially, I trusted physical spaces more, believing they were the foundation for sharing my work with the world. Over time, as I gained more experience in the digital sphere, I realized its potential. The digital world allows for greater reach with less effort: connecting with people in different countries and enabling unique collaborations through social media. This scalability is unmatched. That said, I still value physical spaces. If I find an interesting gallery, coffee shop, or venue that resonates with my audience, I organize exhibitions to create a more tangible connection. Digital platforms are perfect for broad outreach, while physical spaces add depth, allowing people to engage with my art in person.

 Your art challenges conventional ideas about industrial materials, transforming them into symbols of resilience and beauty. What message do you hope viewers take away from interacting with your work?

I want viewers to realize that anything is possible. Patterns and boundaries are constructs we can break, and our energy and thoughts can manifest in any medium. My art serves as a mirror for those willing to look deeper, reflecting their courage to explore new dimensions. It’s about transforming the ordinary into something extraordinary, showing that even industrial materials like cold steel can hold emotion and beauty if we allow it to. It’s not just about the material itself but what it reveals in those who engage with it.

You have already explored a wide range of artistic forms and media. Are there any upcoming projects, collaborations, or new materials you are excited to work with in the near future?

I want to explore how materials like steel, resin, and glass can work together to create pieces that feel immersive. By layering textures and reflections, I aim to make art that interacts with its environment in unexpected ways — pieces that feel both solid and fluid, present and ephemeral. I’m also drawn to collaborations with industries like fashion and beauty. These fields have so much potential for integrating art into daily life. Whether it’s through wearable designs or objects that transform spaces, I see these partnerships as a way to bring art closer to people in personal ways.

 

Thank you for the interview, and good luck with everything!

Artist Spotlight | Ludovica de Santis

By /BLOG/, /INTERVIEW, /NEWS/

From the cinematic halls of Sorbonne University to the vibrant galleries of Athens, Ludovica De Santis has carved a remarkable path in the world of contemporary photography. With a background in art history and film criticism, she began her artistic journey assisting film productions and exploring analog photography—a medium that has remained central to her work.

Over the years, De Santis has seamlessly transitioned between documentary and fine art photography, capturing moments that resonate with poetic depth and intricate narratives. Her work has graced exhibitions across major cultural hubs like Paris, Berlin, London, and Amsterdam, earning acclaim from critics and magazines alike.

A multi-award-winning artist, De Santis has a portfolio that speaks volumes. From her groundbreaking series „Onironautica,“ which won first prize at the 2024 LensCulture Art Awards, to her earlier work recognized by the Julia Margaret Cameron Foundation, she has established herself as a force in the photographic arts. Her photobook „Zagriz,“ published by Altana, stands as a testament to her ability to blend storytelling with visual artistry.

In this interview, De Santis opens up about her creative process, her inspirations, and the evolution of her celebrated series „Onironautica,“ currently featured in the Athens Photography Festival. She also reflects on the delicate balance between analog roots and digital innovation, offering insights into the ever-changing landscape of fine art photography.

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Interview with TKV – The Kraljica Vila

By /ART/, /INTERVIEW, /NEWS/

Aleksandra Petković, known as TKV or “The Kraljica Vila,” is a Serbian street artist who has transformed the streets of Belgrade into vibrant spaces filled with meaning and emotion. Since starting her career as a teenager in 2004, she has used murals and stencils to explore themes of feminine identity, empathy, and the power of community. Her work often features striking female figures, blending aesthetics with social commentary and aiming to reshape perceptions of women in public spaces.
TKV’s art extends beyond visuals; her murals foster dialogue between viewers and their environment, breathing life into forgotten urban areas. As the founder of the All Girls Street Art Festival, she is dedicated to empowering female artists and encouraging collaboration. In this interview, TKV reflects on her artistic journey, her evolving views on identity, and the intersection between public art and personal expression

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