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Interview with Mark Bryan

By /FASHION/, /INTERVIEW, /NEWS/

Text by Lucas Pantoja

Interview with Mark Bryan
In 2020 Mark Bryan, an American robotic engineer living in Germany, emerged as an Instagram fashion sensation seemingly out of nowhere, for his playful gender-bending style which has garnered him a lengthy list of captivated followers (sitting at 615K currently) and includes some of the fashion industry’s biggest names from Carine Roitfeld to Lotta Volkova. Though it wasn’t Bryan’s style alone that brought him digital fame, as cross-dressing is nothing new and those from the LGBTQ+ community have courageously been doing it for a long time now. Rather, it is the unique context with which Bryan – a straight cis male in his 60s, grandfather of four, and noted American football coach – adorns a uniform of skirts and high heels that has made him so intriguing. Two years after his Instagram success, the unexpected influencer has plenty of credits under his belt, such as stories with some of fashion’s biggest publications like Vogue Germany and Interview Magazine, as well as modeling experiences in Paris fashion week. Most recently he found himself in a controversy after an interview aired with the German television program Beyond Fashion, surprising many of his fans in the LGBTQ+ community with his statements hoping to distance himself from a community of followers that supported him from early on in his fame. The interview is a tense piece in which the host, Avi Jakobs, tears up in shock at Bryan’s questionable responses regarding his relationship with the queer community and his ambition to wear women’s clothing as a purely stylistic choice. We had the chance to speak with Bryan over email regarding his latest controversy, his upbringing in Texas and the early fashion memories that shaped him, plus much more.
In 2010 you moved from Texas to a town in the south of Germany. Do you feel well-accustomed to life in Germany and Europe in general at this point?
Yes, people always ask me how I like living in Germany. My typical reply is that I love everything about Germany but the weather. In Texas, you get 300+ days of sunshine and here you get 300+ days of clouds and rain. Maybe a bit over-exaggerated. I struggle with the language. German is a very difficult language to learn. Even when growing up in Texas, I struggled to learn Spanish. I like to think it’s like walking in high heels — for some, it’s natural and for others, it’s not! And the people here are so kind and understanding.
Was Texas where you spent most of your time growing up?
Yes, West Texas to be more precise. From the day I was born to graduating from college I lived in one place. Then moved to Dallas after graduation. Then lived there mostly till moving to Germany.
What kind of environment did you grow up in, and do you feel that’s played a part in your comfort in experimenting with dress codes?
I grew up in a traditional home. My mother taught us to always look our best, to be clean, our clothing wrinkle-free, and of course to match. Of course, she never expected that someday I’d be wearing high heels and skirts! But even growing up in a very conservative time, I always felt the freedom to express myself through clothing. I always enjoyed wearing a suit and tie, even when young going to church and other events that required a suit, even though the suit wasn’t required.
#DeGenderFashion is what we all want, but I want to take it even further. To de-sexualize fashion. I think this is where I differ from the LGBTQ community. The LGBTQ community has used fashion as a form of expressing their sexuality. Again, I have no problem with that. But clothing/fashion should not dictate gender #DeGenderFashion AND sexual orientation. A person is free to wear what they want, thanks to the LGBTQ community, but fashion, as a causality, is seen as an expression of sexual orientation as a result of their struggles.
So when I said that the LGBTQ community has made it hard on me, I was stating my fight to de- sexualize fashion where people can wear what they want without having their sexuality questioned. I’m fighting a separate war, and it’s against the stigma that the LGBTQ community fought for. And of course, not wanting to disrespect the LGBTQ community, but it’s hard to make that distinction.
What’s your earliest fashion memory? Whether it was the first time: you were awestruck by a garment or advertisement; or experimented with your style?
Perhaps when the plaid baggy pants and the platform high heels were popular in the early 70s. Maybe my first attempt at doing something that was considered trendy and fashionable. Also, I was aware that you never mix brands. For example, If wearing Adidas shorts or a t-shirt, you didn’t wear Puma shoes. So I was aware of branding even at a young age. Later, in college, my first must-have brand was Ralph Lauren and their polo shirts.
You’ve made a career for yourself in engineering and coaching American football, interests we don’t immediately associate with fashion. Nonetheless, has a fashion or personal style always been something important to you, even before you started wearing heels regularly?
I think the way we look and dress reveals a very important part of ourselves. I still wear a jacket and tie whenever possible. Even with the relaxed dress codes in the office I always continued to be overdressed. So yes, fashion is very important to me, I consider it a way to express myself with total freedom. I can choose what to wear, what goes with what, and create my style, which, in my personal opinion, is like a personal brand even if you are away from public opinion or social media.
Have you inspired any of your friends or family to start wearing clothes outside of their respective gender?
No. I don’t think so. That’s up to them and their comfort level. I’d never encourage anyone to do something they weren’t comfortable doing regarding fashion, but I hope to send a message that we can truly be ourselves regardless of what others think.
You recently appeared in a controversial interview on ARD Mediathek’s Beyond Fashion: would you mind speaking on the comments you made that have upset many people, particularly those in the LGBTQIA+ community?
I’m not sure why people think I’ve turned my back on the LGBTQ community. I understand that the LGBTQ community has made it possible for me to legally wear a skirt in public. And yet, if I don’t support the community in some way on my platform, I’m turning my back on them. That is not my intention.
My agenda has always been that clothing doesn’t dictate a person’s sexual orientation or gender. When I said I wasn’t fighting for the community but wasn’t fighting against them either, that meant I wanted to stay neutral. I’m a straight male, what I wear has nothing to do with sexuality. It’s a fashion statement only. It doesn’t mean I don’t respect the community and understand the hardships they have endured to get to where they are today. But to assume I’d fight for them is just that, an assumption. But in a way, I am fighting for the LGBTQ community, and that’s why so many in the community still see me as an ally. Just with me being seen in public or pictures or videos of me on my social media platforms, shows that anyone can wear non-gender conforming clothing. But it’s not fighting specifically for the LGBTQ community, but for everyone.
When I mentioned separation, I was talking about separating fashion from a form of sexual expression. Many in the LGBTQ community use clothing as a way to express their sexuality, which is ok. I’ve said several times, everyone should be free to express themselves, either through fashion or other means. But…. many outside the community and many inside the community associate wearing clothes from another gender to be a form of sexual expression only. It’s hard for them to comprehend that it can be just a fashion statement. So I try to keep my distance/separation from the LGBTQ community so there is less confusion that I’m making a fashion statement and not a sexual statement.
#DeGenderFashion is what we all want, but I want to take it even further. To de-sexualize fashion. I think this is where I differ from the LGBTQ community. The LGBTQ community has used fashion as a form of expressing their sexuality. Again, I have no problem with that. But clothing/fashion should not dictate gender #DeGenderFashion AND sexual orientation. A person is free to wear what they want, thanks to the LGBTQ community, but fashion, as a causality, is seen as an expression of sexual orientation as a result of their struggles.
So when I said that the LGBTQ community has made it hard on me, I was stating my fight to de- sexualize fashion where people can wear what they want without having their sexuality questioned. I’m fighting a separate war, and it’s against the stigma that the LGBTQ community fought for. And of course, not wanting to disrespect the LGBTQ community, but it’s hard to make that distinction.
The interview was over 2 hours long and it was shortened to about 6-7 minutes of footage to be shown. So a lot of cut and paste was done, so that some answers I gave did not have all the content that would make the conversation clear and not taken out of context, as in this case.
In the interview, when I started by saying “It’s not the clothes” I was answering a different question. I was trying to explain what makes it more threatening for a trans female than for me. I’ve been photographed in some very flamboyant outfits along with some very short skirts, but I’d never wear them out on the streets. I try to dress more conservatively and not draw as much attention to myself. Yes, I will draw some looks because of what I’m wearing, but then I also show a lot of confidence in what I’m wearing. Besides that, who wants to attack an old, bald man wearing high heels?
In one part of the interview, when saying something about the LGBTQ community I accidentally left off the T and only said LGB. This was not on purpose as many have assumed. I’m just not good with acronyms and since it’s not something I say very often, I just messed up!
I saw that you posted an apology on your instagram, how else have you been reconciling the situation?
I’ve been trying to educate myself more on the matter. Before this, I wasn’t interested in the details of the struggles of the LGBTQ community as I thought it doesn’t have anything to do with what I’m doing. I’m seeing this as a lesson learned and an opportunity, as this experience has helped me to understand what they have been through and how they feel about others. It has helped me to grow. In my position, as an influencer, I should be better educated on this. So this is my focus as of late.
The interview was over 2 hours long and it was shortened to about 6-7 minutes of footage to be shown. So a lot of cut and paste was done, so that some answers I gave did not have all the content that would make the conversation clear and not taken out of context, as in this case.
In the interview, when I started by saying “It’s not the clothes” I was answering a different question. I was trying to explain what makes it more threatening for a trans female than for me. I’ve been photographed in some very flamboyant outfits along with some very short skirts, but I’d never wear them out on the streets. I try to dress more conservatively and not draw as much attention to myself. Yes, I will draw some looks because of what I’m wearing, but then I also show a lot of confidence in what I’m wearing. Besides that, who wants to attack an old, bald man wearing high heels?
In one part of the interview, when saying something about the LGBTQ community I accidentally left off the T and only said LGB. This was not on purpose as many have assumed. I’m just not good with acronyms and since it’s not something I say very often, I just messed up!
I saw that you posted an apology on your instagram, how else have you been reconciling the situation?
I’ve been trying to educate myself more on the matter. Before this, I wasn’t interested in the details of the struggles of the LGBTQ community as I thought it doesn’t have anything to do with what I’m doing. I’m seeing this as a lesson learned and an opportunity, as this experience has helped me to understand what they have been through and how they feel about others. It has helped me to grow. In my position, as an influencer, I should be better educated on this. So this is my focus as of late.
What kind of conversations did the interview bring about for you? And did it affect any of your relationships offline or in your personal life?
I had a few brands that I have been working with express that they were disappointed in what I had said. Most of them that know me well agreed that the words I chose to use were inappropriate, but could see how what I said could be taken out of context.
As far as personally, I’ve had nothing but support as those that know me and, more importantly, understand how communicate, know what I said was not to be taken as hateful or disrespectful to anyone or any group.
You’ve continued to state your message that clothing should not define one’s gender or sexuality. Surely that’s tied to the way you dress currently, but is there more to how and when that became an important principle of yours?
It became more and more evident that what I was doing on Instagram was helping so many that wanted to wear non-gender conforming clothing but were afraid to have their sexuality questioned. I get over 100 direct messages a day on my Instagram account and a large number of them are followers that have thanked me for the courage to go out wearing something regardless of what others may think. Others still have this fear, however. This needs to change and thus has become one of my goals to de-sexualize clothing. But then I’m also helping everyone (regardless of sexual orientation or gender) that we all should feel comfortable wearing what we want.
On another note, you walked in your first-ever fashion show for Ninamounah FW 22. How was that experience?
It was a blast. At the rehearsals having the choreographer tell you how to walk, with timing and making nice turns, being focused, was interesting and fun. Meeting all the models and asking advice from many. I was at an extreme disadvantage, as almost everyone knew who I was, but I didn’t know anyone. But then after the show and seeing the footage I was amazed that more than half the models just did their own thing. I did what I was told but almost broke into a smile during the finale.
Are you paying attention to the runways and what goes on in the fashion world?
I am paying attention to the fashion designs and trends for men, but particularly seeing more and more skirts on the runway.
Would you like to walk in a show again someday? If so, is there any brand you have in mind?
Yes, I would be interested in doing this again. I think the most challenging for the brands would be to style for me. Taking some of their men’s shirts and jackets and matching them to the women’s skirts and heels may not fit their theme for that collection they won’t show. Of course, big brands like Gucci, Balenciaga, Balmain, Prada, and Alexander McQueen.
If you could wear only one pair of heels for the rest of your life, what would they be?
I’m very tempted to say an 8.5cm to 10cm stiletto pump. But if I had only one pair to wear everywhere, I would have to go with a black leather ankle boot with a wide heel (but not a block heel) and about 9cm high. Either a boot from Jimmy Choo or a boot from Louboutin

Inna Malinovaya „VARVARA“

By /FASHION/, /NEWS/

VARVARA

art director / photographer – Inna Malinovaya, @inna.malinovaya
model – Varvara Shmykova, @barbaraska_92
hair & makeup artist – Veronika Könitzer, @kvamakeup
stylist – Sasha Chumachenko, @shura_delo_govorit
florist – Liia, @sayyes.flowers
retoucher – Alise Poleschuk, @al.poretouch

Blouse – Ellos Collection; Earrings – Vintage; Rings – Kurt Geiger

Blouse – Cult Gaia; Earrings & Ring – Michaela Binder

Bracelet – Vintage; Headpiece – Beretkah; Shirt – Extro&Vert

Jacket – Ipekyol; Gloves – Nera Wenera; Turban – Vintage; Ring – Nicole Schuster

Lorenzo Ortolani „SHUTTERS DOWN“

By /FASHION/, /NEWS/

SHUTTERS DOWN

STYLIST & ART DIRECTOR: Ludovica Luciani @Ludoo.viica
FOTOGRAFO: Lorenzo Ortolani @lorenzo_orto
MODEL: Giorgia Colasanti @giorgia.colasanti
AGENCY: Act Models @actmodels_
MUA: Martina Tatarelli @tatashadows
DESIGNERS: Orha Roma @orha_roma Ètre Couture @etrecouture Alice Borioni @aliceborioni Giada Stradiotti @_http.jade._ Alberto Ciaschini @albertociaschiniofficial Lotusea @_lotusea_ Anna Sara Napoli @noisy.threads

Dress sparkling by ALICE BORIONI; Net Bag Black by LOTUSEA, designer AMBRA VINELLI; Shoes smoking hot pump patent by ALBERTO CIASCHINI; Balaclava white mesh by NOISY THREADS designer ANNA SARA NAPOLI; Long skirt, corsage and coat blu sky By GIADA STRADIOTTI; Balaclava blu sky by NOISY THREADS designer ANNA SARA NAPOLI.

Dress sparkling by ALICE BORIONI; Net Bag Black by LOTUSEA, designer AMBRA VINELLI; Shoes smoking hot pump patent by ALBERTO CIASCHINI; Balaclava white mesh by NOISY THREADS designer ANNA SARA NAPOLI; Short dress with rounded sleeve and bag, in geometric effect texture black & white tulle. By ÈTRE COUTURE, designer MATTEO BRUCCIANI.

Long skirt, corsage and coat blu sky By GIADA STRADIOTTI; Balaclava blu sky by NOISY THREADS designer ANNA SARA NAPOLI. Dress sparkling by ALICE BORIONI; Net Bag Black by LOTUSEA, designer AMBRA VINELLI; Shoes smoking hot pump patent by ALBERTO CIASCHINI; Balaclava white mesh by NOISY THREADS designer ANNA SARA NAPOLI

Short dress with rounded sleeve and bag, in geometric effect texture black & white tulle. By ÈTRE COUTURE, designer MATTEO BRUCCIANI.
Dress sparkling pink by ORHA ROMA; Net Bag White by LOTUSEA, designer AMBRA VINELLI; Balaclava gold mesh by NOISY THREADS designer ANNA SARA NAPOLI; Long dress and gloves black By ALICE BORIONI; Shoes smoking hot pump elaphe by ALBERTO CIASCHINI
Long dress and gloves black By ALICE BORIONI; Shoes smoking hot pump elaphe by ALBERTO CIASCHINI

Ecoolska brand is one of the first phygital sustainable fashion brands in the world.

By /FASHION/, /NEWS/

On the photo:
Ceo and designer Olska Green
instagram @olskagreen

Ecoolska brand is one of the first phygital sustainable fashion brands in the world.

Ecoolska brand is one of the first phygital sustainable fashion brands in the world.
Olska Green is wearing exclusive upcycling outfits at Milan Fashion Week 2023. Ecoolska develops physical fashion (sustainable seamless activewear from eco-friendly fabrics), creates unique upcycling collections in the heart of Milan and develops digital fashion.

Change the fashion industry to an eco-friendly, digital and transparent via creation of an ecosystem of sustainable innovative Phygital products that reduce overconsumption and overproduction. To give people eco-alternatives: sustainable and digital fashion. We want to make people fashionable, happy and not harmful for environment not only in real life but also in virtual.

Our website: ecoolska.com
Instagram: ecoolska_official@
Twitter: ecoolska

Hessam Yekta „Roamers“

By /FASHION/, /NEWS/

ROAMERS

As the sun began to set, the two girls made their way into the old house. The creaky floorboards added to the strange ambiance that surrounded them. They felt at home in this abandoned place, a place where they could let their true selves shine.

This photoshoot featuring two girls hanging out together exudes a bold and unapologetic energy that is both fierce and captivating. The use of harsh lighting in a vintage setting creates a unique visual aesthetic that emphasizes the characters’ style and their unbridled attitude.

Overall this is about individuality and the importance of staying true to oneself in any environment.

Model: Niloofar @imgoldenlily
Creative Director: Nastaran Rezaee @nastaranrze
Stylist/Creative Director: Saman Amini @samanamini
Makeup Artist: Hanie Abbasi @hanieabbasi.mua
Model: Khatereh @xa.tere
Photographer: Hessam Yekta @hessamyekta

Tops by Hypeupthemood @hypeupthemood

Nika Kolesnikova „Wind“

By /FASHION/, /NEWS/

WIND

Model: Kanon @cat_ballerina
Stylist: Elena Sinelnikova @sinelnikova_stylist
Model: Evelina @evelinatemnik
Model: Kamilla @kamilla.skar
Creative Director: ProvizageVrn @provizage_vrn
Photographer: Nika Kolesnikova @hey_nikaphoto
Fashion Designer: Leo Kate Studio @leo_kate_studio
Model: Sonya @sonechka_novack

Polina Mordvinova „King Davis“

By /FASHION/, /NEWS/

King Davis

Photographer: Polina Mordvinova @paulmordvian
Hair Stylist: Gabriele Marozzi @gab_marozzi
Photographer: Vladimir Mordvinov @boboscamera
Makeup Artist: Alice Maggioni @alicemaggioni 
Wardrobe Stylist: Aldacleofe Sterli @cleofexsterli 
Model: Kim Davis @1kimdavis

Top Majorelle Pants Federico Sangalli; Jumpsuit Aeron Blazer Zara Earrings Rue des Mille

Dress Akep Band Zara; Jumpsuit Aeron Blazer Zara Earrings Rue des Mille

Dress Akep Band Zara; Top Naked Lingerie

Dress Akep Band Zara; Jumpsuit Aeron Blazer Zara Earrings Rue des Mille

Dress Akep Band Zara

Top Naked Lingerie; Jumpsuit Aeron Blazer Zara Earrings Rue des Mille

VORN FASHION SHOW ROLE MODELS: SUSTAINABILITY IN FOCUS AT BFW

By /FASHION/, /NEWS/
VORN FASHION SHOW ROLE MODELS: SUSTAINABILITY IN FOCUS AT BFW

78 labels, full tiers and a well thought-out concept made „Role Models“, the first fashion show by VORN – The Berlin Fashion Hub, a highlight of Berlin Fashion Week in January 2023. The editorial show, which was presented as the first show on 17 January as part of the new event format @newest in the Kant-Garagen, left a lasting impression and caused the pendulum of the fashion week to swing once again in the direction of more sustainability.

With the sophisticated concept of its fashion show, VORN – The Berlin Fashion Hub made several statements at Fashion Week Berlin in January 2023. The editorial fashion show „Role Models“ featured looks from internationally and nationally established and commercially successful brands, styled with independent labels and newcomers from Berlin. The looks were selected and styled by the creative team around Julius and Tanya Forgo. All participating labels underwent a thorough sustainability check by the qualified team of Studio MM04 beforehand. The looks and models were based on current and past icons. Personalities whose influence in terms of sustainability, sexuality and diversity continues to this day.

An exciting dynamic was created by the unusual combination of different materials, cuts and fits. Julius and Tanya Forgo incorporated their years of experience in the industry into their styling concept and, not least through their
expertise in high fashion, elevated the looks shown to a level of sustainable luxury – without making them seem out of touch or unreal. David Kurt Karl Roth, co-founder of Dandy Diary and critical enfant terrible of the fashion industry, rounded off the presentation with his music. The students of the BSP Business School Berlin were responsible for the visual concept, with smashed 1 mirrors at the end of the catwalk and prominently placed on the floor in its centre. RM Berlin was responsible for the casting, and Joachim Baldauf, an icon in the field of design, was once again enlisted for the visuals. Among others, Christiane Arp, board member of the Fashion Council Germany, and the State Secretary for Economic, Michael Biel, sat in the front row.

The first VORN Fashion Show at Berlin Fashion Week was not only a success in the aesthetic sense. VORN – The Berlin Fashion Hub wants to realise a change in the fashion and textile industry by all stakeholders working together towards the goal of a net-positive future in fashion and working interdisciplinary to solve problems.
The styling, setting and implementation of the VORN Fashion Show reflect this community idea and underline the approach of solving problems together as a society.

VORN – The Berlin Fashion Hub was commissioned by the by the Senate Department for Economics, Energy and Public Enterprises.

REALITY WEAR Adidas Fashion Fiasco Elaborate hoax upends Berlin Fashion Week

By /FASHION/, /NEWS/

All images courtesy of Michael Wittig Berlin

REALITY WEAR Adidas Fashion Fiasco Elaborate hoax upends Berlin Fashion Week

BERLIN – January 17, 2023 – A surprise announcement from „adidas“ early Monday morning promised to flip the script on power in the garment industry. The revolutionary plans included appointing a Cambodian garment worker to be Co-CEO, signing a new legally-binding agreement on working conditions, establishing a severance guarantee fund, and paying money owed to workers.

By evening, it exploded into the fashion world with an outrageous Berlin Fashion Week debut of „suffering-forward“ REALITYWEAR, at PLATTE Berlin. But what appeared to be adidas finally taking responsibility for decades of labor violations turned out to be an elaborate hoax by Berlin designers Threads and Tits, The Yes Men, and the Clean Clothes Campaign.

The real adidas denied it was behind the launch, but there was no way to stop the live product launch Monday evening at PLATTE, during the kickoff of Berlin Fashion Week. An appreciative crowd, many of whom thought it was a real adidas debut, were left slack-jawed by the tasteless REALITYWEAR runway show–a gruesome spectacle of torn plastic, ripped nylon, and limping catwalk models smeared in filth–designed by the Berlin-based fashion designers Threads and Tits.

„The Yes Men have presented an alternative future, one where adidas takes ethical conduct seriously enough to invest in it financially. We call on Bjørn Gulden to make this vision a reality by signing the Pay Your Workers agreement. Words are not enough, workers need real action now,“ said Ineke Zeldenrust of Clean Clothes Campaign.

Tell adidas to sign the Pay Your Workers agreement by adding your name to this petition.