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/NEWS/

Lyceum Club Femenino

By /ART/, /FASHION/, /NEWS/

This editorial, titled “Lyceum Club Femenino,
” takes its name from the association of the
same name that emerged in the city of Madrid in the 1930s.
This cultural association aimed to promote education, culture, and the active
participation of women in the public sphere as well as in political and educational
institutions. The Lyceum was not merely an association but an entire movement,
contemporary with Las Sinsombrero and with a series of artistic collectives determined to
change the social paradigm of the time.
For this reason, this editorial does not seek solely to replicate the stylistic elements typical
of that era, but rather to understand and approach the historical and artistic moment in
which this space emerged. It was developed by Spanish women writers and painters from
1926 to 1939. Furthermore, it seeks to pay tribute to the way these women chose to occupy
space and shape their public image at a time when society expected them to be “angels
of the home.
” In the face of this imposition, they chose instead to make themselves visible
and claim their place in the public sphere.
Keywords: 1930s, Madrid, women’s emancipation, space and dependence.

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The Distance Between Us

By /ART/, /NEWS/, /VIDEO/

The Distance Between Us features actors Ema Sofia and Hugo Nicolau, shot in Ericeira, Ema’s hometown, which informs the narrative.

The story explores two forms of separation: the distance between who we’ve become and where we come from, and the ongoing divide between male and female roles in society.

Ema moves through male-dominated spaces, such as the church and fishing harbour, where her relationship with Hugo unfolds as a subtle power dynamic. There’s a sense of closeness yet also distance, a subtle push and pull that leads Ema towards independence.

I have included the link to the accompanying fashion film in the attached credits document. It can also be viewed here – drive.google.com/drive/folders/1exUv51C3w-mOMv14Bdkd5hCfG4AmMT7l?usp=drive_link

The film is optional to include.

For selected looks, two images are provided. These images are intended to work as a pair as part of the concept, however you are welcome to select a single image per look if preferred.

Please note that the styling focuses primarily on Ema as the central character; Hugo’s look remains mostly consistent throughout.

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VELVET SILENCE

By /ART/, /NEWS/

VELVET SILENCE

V E R O N I K A  R I J E , m o d e l @ v e r o n i k a _ r i j e

f r o m N E X T M A N A G E M E N T , a g e n c y @ n e x t p a r i s

E M M A N U E L L E  C O R R E , p h o t o g r a p h e r @ _ e m m a c o r r e

T E O  B E N O I T O N , s t y l i s t @ t e o _ b n t

T A T I A N A  G A G A E V A , h a i r a n d m a k e – u p @ g a g a e v a m u a

left | RAPHAEL TRABAND Dress  JOLI PNJ Ring YENAD STUDIO Earrings  VINTAGE Gants right | RAPHAEL TRABAND Dress

INES PINEAU Corset, Jewelry  NORR Dress IN HOUSE BLEND Bralette Left |CAPRICE Tights VINTAGE Shoes

left |RAPHAEL TRABAND Dress  INES PINEAU Earrings  right | CHRISTOPHER ZUCCO Top  LANA HELEY Short BRILLANTE Shoes

left | CHRISTOPHER ZUCCO Top  LANA HELEY Short BRILLANTE Shoes | RAPHAEL TRABAND Dress  JOLI PNJ Ring YENAD STUDIO Earrings  VINTAGE Gloves

IN HOUSE BLEND Dress SIDONIE PARIS Shirt INES PINEAU Earrings | INES PINEAU Corset, Jewelry — NORR Dress IN HOUSE BLEND Bralette

RAPHAEL TRABAND Dress

From Petal to Power

By /FASHION/, /NEWS/

This project explores independence as a visual and structural process.
It begins with yellow, where softness is constructed and shaped by external expectations.
In white, the body moves into form and control, redefining itself through structure.
The transition culminates in red, where tension, presence, and self-ownership become fully embodied.

Flowers are not treated as symbols of fragility, but as elements of transformation.
What once signified decoration becomes a deliberate expression of autonomy.

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