
In an age where high-definition clarity dominates photography, Andrey Makalkin deliberately embraces distortion, digital noise, and soft focus to create an alternative visual language. Born in 1997 in the Moscow region, Makalkin’s journey began with a passion for photography and digital collages, leading him to study cinematography at VGIK, one of Russia’s most prestigious film schools. His artistic evolution took an unexpected turn as he fused his love for art history, painting, and experimental techniques to redefine contemporary photography.
Through series like “Unsettling Things”, which explores childhood fears through an eerie yet poetic lens, and “Myths”, where he reinterprets ancient narratives through fractured reflections and vibrant hues, Makalkin challenges our perception of reality. His works, shot on a mobile phone and meticulously altered in post-production, blur the line between photography and painting.
In this exclusive interview, we dive into Makalkin’s creative process, his fascination with imperfection, and the symbolic layers hidden within his work. How does he see digital noise as an expressive tool rather than a flaw? What myths does he believe deserve a contemporary visual revival? And if he could photograph an emotion rather than a subject, how would he bring it to life?
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