In a world where art is often a reflection of the artist’s soul and experiences, Azia Maria Sammartano, known as Essereilnonessere, presents a unique blend of self-taught artistry and academic prowess. Based in Turin, Azia’s journey through various disciplines such as human communication, neuroscience, and neuropsychology has shaped her artistic vision in profound ways. Despite her academic background not being conventionally tied to the arts, Azia’s dedication to self-improvement through courses in drawing, painting, and theatrical improvisation speaks volumes about her commitment to her craft.
Join us as we delve into the artistic universe of Azia Maria Sammartano, as she shares her journey of self-discovery, creativity, and the profound meaning behind her arts.
Can you tell us about your background in both medicine and art, and how these fields have influenced your artistic practice?
Many in history have been scientists and artists, just think of Leonardo, Michelangelo, A durer or Calder and not least the legendary Brian May, guitarist and NASA consultant. Combining art and science has always been the goal of research for cosmic harmony. I graduated in medicine in 2009 and chose to specialize in Phoniatrics out of extreme love and interest in the study of human communication, an aspect that the medicine I practice deals with. Sign language was my first great love, I had been drawing for a long time and I have always liked experimenting with different styles and many techniques. I then understood by studying and being interested above all in non-verbal communication that it itself was an intimate part of art. Communication and art are intrinsically intertwined, forming a powerful union that transcends mere words and strokes of a brush. It is through communication that art finds its voice, and through art that communication becomes a vibrant symphony of emotions. Each brushstroke, each word, each note, carries a message that reaches beyond the surface, resonating deep within our souls. The beauty of art lies not only in its ability to captivate our senses, but also in its power to connect us on a profound level. It is in the shared experience of art that we find solace, inspiration, and understanding. Through art, we can express our deepest fears, our greatest joys, and our most profound truths. It is a medium that allows us to communicate the unspoken, to bridge the gaps between cultures and languages, and to create a universal language that speaks directly to the heart. Art has the power to unite, to heal, and to ignite change. It is a testament to the indomitable spirit of humanity, a celebration of our creativity, and a reminder of our shared humanity. Let us embrace the intimate connection between communication and art, and let our voices be heard through the power of artistic expression.
How do you integrate scientific concepts and research into your artworks? Can you provide some examples?
Research in communication brings with it the desire to experiment with new ways of conveying messages, overcoming personal barriers and therefore those of humanity as a whole. I often bring the exploration of different modalities into my works, combining techniques that are not always associated. I like to use materials in an unconventional way, manipulation is often an integral part of the creative process. I always aim to use at least two different types of materials and styles. Just as human communication cannot be one and only, the work of art must use different communication channels. The pen combines with oil paint, newspaper and wire, with collage. Take for example ‚Belly‘ or ‚Panta Rei‘, his works are very different but exemplify scientific and artistic research. In the first work I initially used a part of my body, I modified it and then I divided it into different sectors just as Todd’s social networks are used. Each sector is a part of the human being, representing dreams, nightmares, desires, thoughts and relationships. The choice of the color black is an example of the oppression of women over the centuries, as can be seen from the description of the work. In the second work ‚Panta Rei‘, I chose to use modeling paste, acrylic colors and plastic support all tied with steel cables. The idea is precisely to create abstract living beings with pasta, each with its own color, bearer of a message, but each initially locked in its own sphere and place, chained in cables, but with each exposure the work can change having changed the individual addends and this leads to new balances, exactly like in human relationships. Furthermore, I almost never use noble supports because, just like human communication, it is often improvised, so the supports I use must also reflect this aspect.
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