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Designers who rocked Berlin Fashion Week

By /FASHION/, /NEWS/

Photo

courtesy Danny Reincke

DANNY REINCKE Show

AUTUMN/WINTER COLLECTION 2024/25 The Dreams in the Cupboard

As part of the W.E4. FASHION DAY and Berlin Fashion Week, Danny Reinke presents his autumn/winter collection „The Dreams in the Cupboard“. The new collection is inspired by experiences, impressions and desires that we as individuals collect and carry within us. Some we fill with
others remain hidden within us forever. We often try to preserve and enclose the wishes that we have realized – be it an object that we have brought back from a trip as a memento or thoughts and feelings that we have experienced in special moments and locked away in our memory – „Every wish when fulfilled, instantly has a son.“ (Wilhelm Busch). We are constantly evolving. Our lives are characterized by collecting new impressions, processing them, and expressing them again. Our memory becomes a cabinet of curiosities that is constantly growing and sometimes brings to light old, long-forgotten, preserved moments.

About Danny Reinke

Danny Reinke produces exclusively in Berlin and mainly uses materials from the EU. The label pays attention to high ecological standards as well as working conditions in the production of the fabrics and short shipping routes in order to make production as environmentally friendly as possible. A large proportion of the collections are one-off pieces. They are only produced customised on demand – because resources are precious. Since the company was founded in 2017, the garments have been lovingly made by hand in the Berlin studio. Danny Reinke’s fashion is durable, high-quality and produced to the highest standards – perfectionism thought through down to the smallest detail.

https://www.dannyreinke.com/

Photo | Gillian Neumann @lichtpausenkollektiv

The Berlin fashion label MAXIMILIAN GEDRA presents its first collection „STALACTICTE“ in Berlin

6th of February,  the Berlin fashion label MAXIMILIAN GEDRA celebrated its eagerly awaited Berlin Fashion Week debut. More than 200 guests were able to admire the 20 avant-garde high-fashion looks.

The ‚STALACTITE‘ collection presents an almost bizarre interplay of silhouettes, skin-tight latex and voluminous faux fur applications that challenge the social ideal of beauty. Body shapes are deliberately expanded, with corners and edges taking centre stage. MAXIMILIAN GEDRA wants to offend and it shows.

The show opened with a spiky thorn coat – a patent leather creation that not only sticks out vertically but also horizontally and can be transformed. The model’s body is completely covered in leather – the collar almost completely envelops the model’s face and looks like a ruff. The opening is accompanied by dark techno music, which creates the right atmosphere. This is followed by a skintight black dress with a very robust appearance, which envelops the model and stands out in particular thanks to the continuous lace. The dress looks like a hard shell, almost like an armour for defence. Defence against the piercing gaze of society?

The collection is inspired by the stalactite stalagmites hanging from the ceiling, the centrepiece of which is the growing stalagmite. ‚STALACTITE‘ aims to connect and bridge the devastating gap between feminine and masculine.

The grand finale of the line-up provided a special surprise: an unorthodox bridal look worn by a masculine model. A symbiosis of shiny vinyl, hard edges and a flowing cut. The top impresses with a striking collar that merges into a deep neckline, while the sweeping skirt draped heavily over the catwalk.

https://www.maximiliangedra.com/

 

Photos courtesy of https://www.richertbeil.com

Berlin-based design conductors Jale Richert and Michele Beil electrify Berlin Fashion Week as they celebrate a remarkable decade of creativity. The AW24 Runway collection, named NACHLASS, marks the triumphant 10th anniversary of RICHERT BEIL at Westend Office.

Within the futuristic location on February 6th, RICHERT BEIL hosted a noteworthy gathering of around 500 guests, including household names such as Stefanie Giesinger and Jerry Hofmann, among other shining personalities.

With ‘NACHLASS,’ Jale Richert and Michele Beil pay homage to the rich heritage of traditional German fashion craftmanship. In this captivating collection RICHERT BEIL takes a nostalgic renaissance through our grandmother’s wardrobe, reflecting on thefashion heritage within Germany, inspired by the sensibilities handed down to them from their own families and legacy they willleave behind in the years to come. The visionary designers deconstruct their wardrobe into conceptual masterpieces, subverting familiar silhouettes and styles with audacious materials and avant-garde design techniques.

The show radiates an aura of inclusivity, diversity, and sustainability, featuring models of various ages, including elderly women,diverse genders, a spectrum of body types, and several ethnicities, all adorned in innovative designs and exhilaratingly bold silhouettes.

Unveiling a total of 18 looks, the runway spectacle unfolds a mesmerizing mix of precision tailoring, presenting both modest yet sophisticated ensembles and deconstructed twin sets, cardigans, smocks, and other stylistic marvels. Conceptually, the grandmother’s look emerges as a harmonious fusion of personal style, comfort, and the influences of the bygone eras which hasgracefully traversed—a unique and heartwarming fashion statement that encapsulates her remarkable life journey.

Furthermore, RICHERT BEIL notably emphasizes sustainability, showcasing thoughtfully upcycled materials. A show-stoppinggown, crafted from partly recycled saddles, takes center stage accompanied by accessories repurposed from vintage watch cases and bag handles. Styles inspired by historical underwear add a touch of nostalgia and refinement. The incorporation of crystal jewelry not only enhances the collection’s uniqueness but also carries a meaningful connection when adorned by the younger generation, honoring traditions of the past.

In its entirety, the AW24 RICHERT BEIL collection serves as a luminous beacon, inspiring the fashion industry to stride boldly towards a future marked by profound inclusivity and unwavering sustainability.

@richertbeil #richertbeil Special Thanks to

Berlin Fashion Week, Fashion Council Germany, Dr. Hauschka, STRABAG Real Estate GmbH, Kess Berlin, Falke, Neu Casting

ABOUT RICHERT BEIL

Richert Beil is a Berlin based fashion brand founded by Jale Richert and Michele Beil. The brand is known for its inclusive collections and avant-garde designs thatblur the lines between traditional gender roles and challenge conventional ideas of what constitutes elegance and luxury since 2014.

Photo Credit Adam Siwek

#DAMUR is a Berlin-based high-end streetwear brand. With each collection, we challenge the labels society wants to impose upon us. Our voice is ever-present in our clothing through the # logo. It is the new generation’s means of self-expression. With the # we distinguish, we belong, we identify and assemble, we express the freedom of being non-standard in style, culture, and social norm, the Berliner attitude.

 

https://damur.fashion/about/the-brand

Christian Zimmermann | THE IMPORTANCE OF COLORS

By /FASHION/, /NEWS/

 THE IMPORTANCE OF COLORS

Photographer: Christian Zimmermann @chrisknowsphotos
Model: Ângela Barbosa @ELITE Lisbon @angelaxbarbosa
Fashion Designer: Íris Silva @iriscore.studio
Fashion Designer: Diogo Vandersandt @diogo.vandersandt
Wardrobe Stylist: Joana Silva @joanasilva.stylist
Fashion Designer: Mara Yati @marayati.studio
Fashion Designer: Carolina Salgado @carolinasalgadoo
Makeup Artist/Hair Stylist: Maria Miguel  @Imariamiguel.mua

Loïc Rodrigues | TAILORING ART

By /FASHION/, /NEWS/

TAILORING ART

Photographer LOÏC RODRIGUES @kraaps_
Stylist / ART Director BRYAN KIHANGUILA @by_bryank
Make up artist & Hair EVARTISTE @evartiste1
Model MARY JANE SAUER @xpegahornx

BLACK BLAZER BIG SHOULDERS WITH PINK BOW TIE ( Jonas Konrad) JEWELS ( in aura tout vu )

left FULL LOOK BLACK AND PINK ( romain Rossi ) jewels and gloves ( on aura tout vu )

 BLAZER AND PANT MULTICOLORE GLITTER ( anastasia bull ) WHITE SHIRT ( Solene lescouet)JEWELS ( on aura tout vu ) 

WHITE LONG COAT ( Jonas konrad) WHITE SKIRT AND PANT ( PAROLES PARIS) JEWELS ( ON AURATOUT VU )

FULL LOOK JACKET SHIRT AND PANT ( Solene lescouet) JEWELS ans gloves ( on aura tout vu )

FULL LOOK BLACK AND PINK ( romain Rossi ) jewels and gloves ( on aura tout vu )

Ekaterina Timko | VENUS

By /ART/, /FASHION/, /NEWS/

VENUS 

Art direction and photographer:
Ekaterina Timko / IG @ekaterinattimko
linktr.ee: linktr.ee/ekaterinatimko
Twitter: @timko_katerina
AI artist:
Dustin Hollywood / IG @dustinhollywoodphoto
Website: https://nakid.online/
Twitter:  @DustinHollywood
TikTok: @dustinhollywood
Threads: @DustinHollywoodPhoto
Videographer: Mohammad Sadoughi / IG @mobbrom
Stylist: Anna Douglas / IG @duglas_glow
MakeUp / Hair: Irina Yantsukevich / IG @irinayanz.makeup
Model: Evgeniya Avdeeva / IG @13avd
Nails: Aleksey / IG @unial.nails
WARDROBE CREDITS
All items are handmade by the stylist Anna Douglas / IG @duglas_glow
Skirt (mesh) design by @weirdogonzo

Interview with Fashion and Portrait Photographer Dmitry Bulin

By /INTERVIEW, /NEWS/

Text by Irina Rusinovich 

Interview with fashion and portrait photographer Dmitry Bulin

Purplehaze Magazine is excited to feature Dmitry Bulin’s photography on our recent cover and took the opportunity to interview Dmitry about his approach to his art. Born in a small village in the southern part of the Krasnoyarsk region, Dmitry moved to Moscow in 2002 to study directing at VGIK (Russian State University of Cinematography). Inspired by cinematic images, he began capturing his college friends on a vintage Zenit camera, originally belonging to his father. As he received his first digital SLR camera as a gift after graduation, photography evolved from a hobby into a fully-fledged profession.

 

Images by Dmitry Bulin 

Images by Dmitry Bulin 

Upcycling Fashion

Follow Dmitry on his INSTAGRAM 

Gill Nunes | UNLEACHED

By /FASHION/, /NEWS/

UNLEASHED

Creative Director/Photographer: Gill Nunes @nn.gill
Wardrobe Stylist/Creative Director: Joana Silva @joanasilva.stylist
Hair Stylist: Sofia Ribeiro @sofiaribeiro_hairstylist
Retoucher: Pedro Ferreira @peterfretoucher
Makeup Artist: Diogo Ribeiro @makeupbydiogoribeiro
Model: Yana @Best Models @yanashcher

Bodysuit: Patrizia Pepe Tweed Jacket: Loft Bag: MM6 Maison Margiela Jewellery: Rocha Carvão

 

Left | Trenchcoat: Mackintosh Puffer jacket: The North Face Puffer vest: Marant Etoile Balaclava: Own by stylist Right | Puffer Jacket: Arket Long Down Puffer Coat: Caroll Sunglasses: Miu Miu

Left | Dress: Flávio Brandão Bag: Ganni Right | Turtleneck: Cos Sunglasses: Saint Laurent

Left | Scarf: Acne Studios Vest: Boss by Hugo Boss Right | Dress : Flávio Brandão Turtleneck: Cos Boots: Moon Boots Sunglasses: Saint Laurent Special Thanks to Franco Oculista

Dress: Flávio Brandão Bag: Ganni

Max Panov | THA PUNK MUSE

By /ART/, /FASHION/, /NEWS/

THA PUNK MUSE

Photographer | Max Panov @_maxim_panov
Makeup Artist | Elena Kozina @elena.kozina
Wardrobe Stylist/Creative Director | Orika Lukmanova @orika.lookman
Model | Ksenia  @imugylk @T Models Management

White shirt: Uniqlo Sequins Skirt apron: 10 etudes

White shirt: Uniqlo Tights: Vivienne Westwood

Dress Giulia De Santis @gl.dsn

Coat: Simple life Tights: Vivienne Westwood

White shirt: Uniqlo

Story behind 

This medium was created to encourage our team’s creative director and stylist Orika Lookman make a painting right in the studio with people overlooking the whole – so intimate – process.

We were inspired by her previous works on transparent canvases and kind of forced Orika to create something new in a short period, exactly one hour and no longer.

As she told us after the shooting, it was her worst nightmare to paint before someone else’s eyes, frightened by the thought that the final result could ruin the idea, the shooting and the whole story behind it.

Our model Ksenia wore a shirt painted by Orika right in the studio too, and our makeup artist Elena painted makeup over Ksenia’s face trying to support the image on the canvas.

We call this story A Punk Muse, cause the very first glimpse of the idea was based on Orika’s endless love of the art of Dame Vivienne Westwood, who is still her real inspiration in art and life.

In Focus | London based artist Emma Coyle

By /ART/, /INTERVIEW, /NEWS/

Text by Irina Rusinovich 

In Focus | London based artist Emma Coyle

Renowned artist Emma Coyle is captivating audiences with her vibrant and graphic paintings that challenge traditional artistic conventions. Her unique style incorporates elements from advertising, magazines, and fashion, resulting in visually striking portrayals of stylish people. Having established herself in London in 2006, Emma Coyle’s technicolor paintings pay homage to the legacy of Pop Art while also breaking new ground. Departing from the historical conventions of the movement, Coyle utilizes bold contours and pastel palettes to depict her subjects, who exude self-assuredness while posing for the viewer. Notably, her work counters the long-standing influence of the male gaze by presenting dignified and fashionable women who reclaim their narrative.

In this exclusive interview, we aim to delve into Emma Coyle’s creative process, the inspiration behind her art, and the challenges she faced in redefining traditional notions of female representation.

How has your fascination with 1960s Pop Art influenced your artistic journey over the past 20 years?

Initially, it was the ‘look’ that first intrigued me. I have a strong interest in many art movements, but the impact of bold colours and even the size of some of the works which were created in the 1960s really interested me. In particular, James Rosenquist’s larger-than-life paintings and the soft sculptures of Claus Oldenberg.

Over the years I chose different themes to work with but kept a Pop Art style, images from Hollywood’s Silver Screen or Japanese advertisements of the 1920’s. In recent years I have chosen to contemporise Pop Art using current print media advertising images as my starting point. Returning to what first inspired Pop artists, an interest in using imagery that is familiar and current to create art.

Can you tell us more about your recent solo exhibition titled ‚The Best Revenge‘ at the Helwaser Gallery in New York? What was the inspiration behind the artworks showcased?

The Helwaser Gallery exhibition was a real turning point for me, to exhibit with such an accomplished gallery on Madison Avenue. The paintings on exhibit represented a growth in my studio work. A few years prior I had challenged myself to work on larger canvases, and experiment more with colour and compositions. Some of the work featured for the first time, off-centred figures, white painted backgrounds that contain small amounts of pigment, and collaging images together on the canvas.

Copyright | Emma Coyle 

How do you approach combining contemporary fashion magazine imagery and advertisements with traditional painting techniques to create your figurative work?

Preliminary work is especially important to each of my paintings. I constantly collect print magazines and every few years start tearing out hundreds of images. I spend months drawing and tracing, manipulating images, and combining groups of images together. Minimizing details and considering the possibilities of which colours to use can be a long process. Although an extensive amount of work is done before I move to the canvas, I can still mix paint on the canvas or rework lines throughout the painting process.

Could you share your experience of being represented by various galleries in London, such as Arte Globale, Contemporary Collective, and The Marylebone Gallery? How has this exposure contributed to your artistic career?

Expanding my audience has always been my drive for working with galleries. I have been very fortunate to work with some incredibly supportive galleries in London. Their continual hard work promoting my paintings online or including work in exhibitions has helped me to focus on the studio side and further develop my paintings.

Copyright | Emma Coyle 

Congratulations on receiving the International Art Market’s Gold List award. How has this recognition impacted your artistic practice and reputation in the art world?

Awards have a significant impact on any artist’s career and encourage you to work even harder. Whether an artist’s artistic drive is to achieve awards or they are received as nominations, the results are helpful to achieving international attention. The Gold List Award helped me to create sales, have work acquired by renowned collectors, and also helped achieve solo shows internationally.

How do you incorporate ideas of abstraction, minimalism, and negative space into your figurative paintings?

These are three very important aspects of my figurative paintings. They are aspects  achieved in my preliminary work for each piece. When making drawings for months on end, my main focus at this stage is to minimalize chosen images.

I want to almost flatten each figurative form as much as possible by taking away line work. By focusing on creating negative space and abstract space within each drawing it creates a minimal form.

Can you tell us more about your previous exhibitions in Ireland and the recognition you received as a promising new artist? How has your work evolved since then?

I received huge interest and support for my work in Ireland when I graduated in the early 2000’s. I was awarded funding, I had a solo show in Dublin’s Central Bank and I also exhibited at the Royal Hibernian Academy. My work was picked up by newspapers and I enjoyed the success of my early paintings.

My work has hugely changed over the years and has steadily evolved each year from my dedication to my studio work. I find my colour pallet constantly changes, the work is still very painterly, being able to see brush strokes on the canvas or paper. The themes of my painting series have changed throughout the past twenty years and the size of my paintings on canvas have grown. My recently completed one year painting project titled ‘Collective Selection [1]’ reached 366cm/144inches, the largest painting to date. My studio work progresses because of my interest in challenging myself in the studio.

We’d love to hear about your ongoing painting series ‚Sw16‘ based on contemporary print media images. What concepts or messages are you exploring through this series, and how do you hope viewers will interpret your artwork?

My ‘Sw16’ series is currently represented by Covent Garden’s Arte Globale Gallery. The paintings are very bold, bright and exciting. ‘Sw16’ series is a continuation from my ‘12.16’ series which is represented by Helwaser Gallery in New York. This new series is again exploring the use of colour, line work, and composition. When I am working on a painting or in a series I do not think of the narratives within the painting. This is something I leave to the viewer. For me my paintings are about the act of painting, composing a visual on a canvas or paper.

Thank you, Emma and good luck with your artistic endeavor!

Connect to follow Emma here and here