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OPEN CALL FOR GROUP EXHIBITION / Andy Warhol in Me / Pop Up Art

By /NEWS/
OPEN CALL FOR GROUP EXHIBITION / Andy Warhol in Me / Pop Up Art

Exhibition Dates: February 23 / 2023 – March 04 / 2023
Opening Reception: Thursday, February 23, 2023 from 7-10 pm
Entry Deadline: Thursday February  09, 2023

Group Exhibition: HAZE Gallery invites artists to submit their artwork for an opportunity to participate in our upcoming Group Exhibition / Andy Warhol in Me / Pop Up Art in 2023. We are looking for a diverse of mixture of POP ART inspired artworks. This will be a group show of all recent artwork created by artists, exhibiting what they are working on today. The gallery will advertise and promote the selected artists for the exhibitions and host a formal opening Reception for the exhibition. If you are looking for gallery representation and to have a Show in Berlin, submit your art that we may discover your compelling work and present it to the public, gallery directors, curators and collectors. .

Who Can Participate: Open to all artists +18 national and international.

The Exhibition: HAZE Gallery will advertise and promote the selected artists for our Group Exhibition and host a formal Opening Reception for the exhibition.

How Are Artists Selected: HAZE Gallery has three curators that review and select the artists that submitted their work. The experts VOTE through a process of elimination, whoever receives the most votes simply gets to be in the exhibition.

Accepted Artwork: all media inspired by POP ART is welcome.

Submit Your Work Today: We are actively searching for talented artists. If you are looking for gallery representation and to participate in a Group Show in Berlin, submit your art that we may discover your compelling work and present it to the public, gallery directors, curators and collectors.

To submit: Please be ready to provide your artist bio, and artwork list (i.e. title, medium, dimensions and retail price for each artwork). Please include your name, address, email and phone number on your artist bio and artwork list.

Curation Fee:  A organizational fee of 80.00 Euro (Tax 19 % included) is payable if you are selected, and you accept the selection.  Please note works must be printed or send by the artist himself. Payment of the organizational fee is final.

Additionally: Save and label all your image files: Title, name, medium, dimensions and retail price, Example: Untitled, Petra Muller, Illustration on paper, 20×30, 100 Euro. HAZE Gallery charges 30% commission on all artwork sold during exhibitions.

OPEN CALL FOR GROUP EXHIBITION ‘HIDDEN FLAMES” / NUDE ART

By /NEWS/
OPEN CALL FOR GROUP EXHIBITION ‘HIDDEN FLAMES” / NUDE ART

Exhibition Dates: February 09 / 2023 – February 18 / 2023
Opening Reception: Thursday, February 09, 2023 from 7-10 pm
Entry Deadline: Sunday, January 29, 2023

Group Exhibition: HAZE Gallery invites artists to submit their artwork for an opportunity to participate in our upcoming Group Exhibition “Hidden Flames / Nude Art” for 2023. We are looking for a diverse of mixture of artworks, this will be a group show of all recent artwork created by artists, exhibiting what they are working on today. The gallery will advertise and promote the selected artists for the exhibitions and host a formal Opening Reception for the exhibition. If you are looking for gallery representation and to have a Show in Berlin, submit your art that we may discover your compelling work and present it to the public, gallery directors, curators and collectors. This exhibition is dedicated to the spirit of all emerging and mid-career artists working in the field of NUDE ART.

Who Can Participate: Open to all artists +18 national and international.

The Exhibition: HAZE Gallery will advertise and promote the selected artists for our Group Exhibition and host a formal Opening Reception for the exhibition.

How Are Artists Selected: HAZE Gallery has three curators that review and select the artists that submitted their work. The experts VOTE through a process of elimination, whoever receives the most votes simply gets to be in the exhibition.

Accepted Artwork: all media is welcome.

Submit Your Work Today: We are actively searching for talented artists. If you are looking for gallery representation and to participate in a Group Show in Berlin, submit your art that we may discover your compelling work and present it to the public, gallery directors, curators and collectors.

To submit: Please be ready to provide your artist bio, and artwork list (i.e. title, medium, dimensions and retail price for each artwork). Please include your name, address, email and phone number on your artist bio and artwork list.

Curation Fee:  A organizational fee of 80.00 Euro (Tax 19 % included) is payable if you are selected, and you accept the selection.  Please note works must be printed or send by the artist himself.

Additionally: Save and label all your image files: Title, name, medium, dimensions and retail price, Example: Untitled, Petra Muller, Illustration on paper, 20×30, 100 Euro. HAZE Gallery charges 30% commission on all artwork sold during exhibitions.

Interview with gallery owner and founder Robert Morat Galerie

By /ART/, /INTERVIEW, /NEWS/
Interview with gallery owner and founder Robert Morat Galerie

Thank you for taking the time to interview! We are glad to welcome you to PURPLE HAZE magazine. Before asking questions about gallery, I would like to know more about you as the director and founder of the gallery.

Tell us a little about yourself. At what point did you become interested in photography? What inspired you to create a gallery? 

There certainly were numerous factors that led me to open a gallery. First off, certainly, my upbringing. My parents are enthusiastic art-collectors, their collection is institutionalized in a foundation and publicly accessible in my hometown of Freiburg. I grew up in a constant conversation about art, surrounded by art, and in a very open household that always hosted guests, artists, curators, musicians, thinkers, publishers.

Robert Morat, Photo by: Roger Eberhard

I then went on to study at Hamburg University to become a journalist. Part of my studies was the History of Art, and it is there that I first learned about the history of photography and started reading photography theory. Photography was the one thing my parents did not collect, so naturally, I took an interest. Maybe because it was a field that allowed me to make my own discoveries. I started to look at photographic prints and eventually started collecting in a very modest and humble way. I noticed at the time – we are talking about the late 1990ies and the early 2000s – that photography galleries in Germany mostly offered vintage, black&white material. In order to look at young, emerging contemporary work, I had to travel.
In the following years, I met a lot of photographers who would become friends. I worked as an editor for different magazines and newspapers and ended up working for TV. That was a frustrating experience. I found myself in a dead-end. It was 2003, I was 32, living and working in Hamburg, when I decided to follow my passion for photography and I opened the gallery in spring 2004. In the beginning, I envisioned more of an exhibition space than a commercial gallery. I started exhibiting the work of friends in a small former storefront. But the shows we curated eventually received more and more interest and I started to professionalize and commercialize the program. Three years later, in 2007 we had our first artfair participation in Miami. Just two years later, 2009, we had our first participation in PARIS PHOTO and have been returning as exhibitors every year since then. In 2015, in order to meet a more international audience in our own space, I decided to move the gallery to Berlin.

Please tell us about the concept of the gallery. How does the selection of photo artists take place? How was the visual language of the gallery created? 

As I mentioned before, at the time we started, most photography galleries in Germany offered vintage, black&white material. I wanted to create a program that focused on young, emerging positions in contemporary photography, a space for discoveries. The program very much followed my own interest. I was never interested in photography as visual design, we never showed fashion photography for example, or digitally created imagery. My interest in photography comes from looking at people like William Eggleston, Lee Friedlander, Steven Shore or Robert Adams. Other key figures that formed my vision were Arno Fischer and Sibylle Bergemann. There’s a famous quote by Arno Fischer: „A picture of a bus stop must be more than a picture of a bus stop!“ That is to say, my program was always interested in the photographic perception of the world, but also in the author’s commentary. So the program, I would say, it’s very much based on documentary photography. But especially since moving the gallery to Berlin, I have found myself opening up to photography‘s conversation with other media. Some of the artists we work with now create collages, drawings, sculptures – today I consider the gallery to be more a gallery for contemporary art than a pure photography gallery.

When selecting authors, do you focus on personal preferences or is it an understanding of collectors‘ requests? Is it possible to combine both? 

I certainly hope that it is possible to combine the two! I would like to think that after almost 20 years of running the gallery, collectors and clients have learned to trust our judgment when selecting a new position. Gallery work to me was always more about sharing my enthusiasm for an artist then trying to meet the market’s requests.

Bill Jacobson and Giorgio Morandi „Photographs and Drawings“ at the Berlin gallery space, spring 2018. Photo by: Roger Eberhard

Bill Jacobson and Giorgio Morandi „Photographs and Drawings“ at the Berlin gallery space, spring 2018. Photo by: Roger Eberhard

At what point, in your opinion, was the adoption of photography as an art form? 

Photography has always allowed not only for the realistic description of reality, but also for it’s subjective, creative interpretation. Ever since the surrealist Man Ray put the sound holes of a Cello on to the back of his female model in 1924, photography has been an art form. MoMA started collecting photography in 1930. Photography has always been an art form. Just because there are people that have not caught up, doesn’t change the fact.

What influence has photography had on the development of modern art? 

When the French painter Eugène Delacroix saw the first heliography in the late 1820ies, he famously exclaimed: This is the end of Art! History has proven him wrong. On the contrary, the accurate representation of the world through photography has freed painting from the need to be realistic. Film, developed from photography, has become the most important art form of the modern age.  So the influence of photography not only on Modern Art, but on the way we communicate today, can not be overstated.

Solo Booth for Hannah Hughes at PHOTO LONDON 2022

Robert Morat Galerie was established in 2004. How has the art market changed since that time? What difficulties are gallery owners, artists, photographers experiencing in Berlin at the moment? 

The art market has always been a very volatile market, following economic cycles. When we started out in 2004, the stars of the Becher School, Andreas Gursky, Thomas Ruff, Thomas Struth, Candida Höfer broke through internationally. Contemporary photography out of German was in high demand all of a sudden – we were lucky to start out in that environment. The years 2005, 2006, 2007 saw a strong high point of international art dealing. But just 12 months later, November 2008 saw the Lehman Brother’s crash and the international fiscal crises that the implosion of the American housing market caused. The following years, 2009, 2010, were difficult, many galleries closed, the market was down. But eventually it picked up again. Gallery owners and artists always had to deal with that volatility. Or take last year, we had just come out of two pandemic years, the market just started to pick up when Russia started it’s criminal, shameful war in Ukraine. It felt like somebody pulled the plug. All sales stopped on February 24. What followed was another difficult season. But then in fall, things came around, the market picked uo again, the winter season was extremely successful. It feels like a rollercoaster ride mostly.

Works by Jessica Backhaus, Hannah Hughes and Bill Jacobson at our booth at PARIS PHOTO 2022

Berlin is considered the artistic capital of Europe. Is this really the case? What is the difference between Berlin’s art spaces and similar venues in other art cities, such as London or New York, for example?
Besides these global economic influences on the market, the situation here in Berlin is today mostly difficult because of the real estate market. Berlin built it’s reputation as an international center for the arts mostly because of the artists who came here to work because they were able to find affordable studio spaces here. The same is true for all the new interesting exhibition spaces and gallery projects. Real estate prices that by now have reached the levels of Paris or London make that more and more difficult.
On January 13, the Robert Morat Galerie hosted the opening of the exhibition “Artefakte und Modelle” by Lena Amuat und Zoë Meyer. Please tell us more about the exhibition.

Lena Amuat & Zoë Meyer are a Swiss artist duo, the latest addition to the gallery program. „Artefakte und Modelle“ is their first exhibition with us, a series of still life studies. The project is a collection of objects that embody the human struggle for knowledge. Over twelve years in the making and numbering hundreds of images, the project inventories the models, artifacts, natural specimen and teaching objects that the two women have unearthed traveling to search through the archives and collections of European universities and natural history museums. Dutch art historian Flor Linckens calls it “a series of enigmatic and decontextualized objects that are given a new life” and in her review of the work she writes: “Elements from science, advertising, religion, art and nature are isolated and combined effortlessly in what could be described as encyclopedic cabinets of curiosities. In the work of Amuat and Meyer, the past and the present enter into a new relationship.”

Lena Amuat & Zoë Meyer, Mathematisches Modell #138, 2017

What are you, Robert Morat Galerie, aiming for in the future? 

To stay on board the rollercoaster a little longer!

The exhibition “Artefakte und Modelle” by Lena Amuat und Zoë Meyer will be held at the Robert Morat Gallerie until February 25, 2023.

Dominika Witos „Reflection“

By /FASHION/, /NEWS/

REFLECTION

Photographer: Dominika Witos @dominika.witos
Model: Julia Pakuła @__smilea__
Model agency: Revs Models @revs_models 
Makeup: Gabriela Pyclik @pyclikgabriela.makeup 
Stylist: Klaudia Kolegowicz – Magiera @kkolegowicz

Golf: Sinsay; Jacket: Reserved; Trousers: Reserved; Earrings: Krafciarka; Body: F.H.U Xsara-Aspol; Shoes: Jenny Fairy; Glasses: Celine 

Dress: H&M; Shoes: DeeZee; Cap: Decathlon; Bag: AllSaints; Glasses: Versace; Choker: Domina; Ring: Mango

Golf: Sinsay; Jacket: Reserved; Trousers: Reserved; Earrings: Krafciarka; Body: F.H.U Xsara-Aspol; Shoes: Jenny Fairy; Glasses: Celine 

Golf: Sinsay; Jacket: Reserved; Trousers: Reserved; Earrings: Krafciarka; Body: F.H.U Xsara-Aspol; Shoes: Jenny Fairy; Glasses: Celine; Dress: Promess; Gloves: Shein; Glasses: Prada; Earrings: Manilai;

Golf: Sinsay; Jacket: Reserved; Trousers: Reserved; Earrings: Krafciarka; Body: F.H.U Xsara-Aspol; Shoes: Jenny Fairy; Glasses: Celine; Shirt: H&M; Skirt: Reserved; Shoes: DeeZee; Body with chains; F.H.U Xsara-Aspol; Glasses: Gucci; Earrings: Krafciarka

Skirt: Reserved; Blouse: Fiore Lana; Bra: H&M; Neckerchief: Lauren Ralph Lauren; Bag: Vintage; Shoes: DeeZee; Choker: Edibazzar; Dress: Promess; Gloves: Shein; Glasses: Prada; Earrings: Manilai

Glasses: Saint Laurent; Necklace & bracelet: New Yorker; Ring: Vintage; Blouse: Promees; Bra: H&M; Trousers: H&M; Shoes: Jenny Fairy; Gloves: Guess

Golf: Sinsay; Jacket: Reserved; Trousers: Reserved; Earrings: Krafciarka; Body: F.H.U Xsara-Aspol; Shoes: Jenny Fairy; Glasses: Celine 

PURPLEHAZE MAGAZINE is happy to announce that the 008 issue

By /NEWS/
PURPLEHAZE MAGAZINE is happy to announce that the 008 issue

PURPLEHAZE MAGAZINE is happy to announce that the 008 issue of PURPLEHAZE will be presented at HAZEGALLERY BERLIN on 20.01. from 19.00.

The magazine main focus is on fashion and art and features interviews of contemporary artists and inspirational editorials from international creative teams.

«Each year we become a different person. Every new year is a time and an opportunity to become a better person; to be kinder, wiser and a little happier, to be closer to family, friends and loved ones. December is a great time to remember your promises and keep them. I would like to pass on to you, our beloved readers, from the entire PURPLEHAZE Magazine team, a huge thank you for the love you give us every day! And may all your dreams come true! Happy New Year!», – Irina Rusinovich, founder & publisher of PURPLEHAZE MAGAZINE.

More information about the upcoming magazine can be found at our website www.purplehazemag.com

François-Xavier Antonini „25“

By /FASHION/, /NEWS/

25

Photographer: François-Xavier Antonini @francoisxavier_antonini 
Stylist: Liam Derouiche @jee2ge 
Model: Theo Lobry @theolobry 
Make Up Artist: Jeanne Schneider @jeanne.schneider_mua
Hairdresser: Sergei Khegai @sergheg

Leandro Cano – @leandrocano / Weisheng – @weishengparis 

Leandro Cano – @leandrocano / Weisheng – @weishengparis 

Jaespe – @jaespe.at / Carre Y – @carreyparis

Calher Delaeter – @calherdelaeter / Victoria Tomas – @victoriatomasofficial / Nycto – @nycto.office / Leandro Cano – @leandrocano

Calher Delaeter – @calherdelaeter / Victoria Tomas – @victoriatomasofficial / Nycto – @nycto.office / Leandro Cano – @leandrocano

Leandro Cano – @leandrocano / La mome bijou – @lamomebijou 

Leandro Cano – @leandrocano / La mome bijou – @lamomebijou; Jnrc Studio – @jnrcstudio

΄Repetitive Actions΄ Digital prints by Pavel Zeldovich

By /NEWS/
΄Repetitive Actions΄ Digital prints by Pavel Zeldovich

Opening: Friday, January 20, 2023, 8 pm
Duration: 20 – 28 January 2023
Location: HAZEGALLERY, Bülowstrasse 11, 10783 Berlin

The solo exhibition Repetitive Actions by Pavel Zeldovich opens at HAZEGALLERY in Berlin on January 20, 2023.
Pavel Zeldovich was developing this project in Moscow from 2021 until early 2022, when the Russian invasion of Ukraine forced him to leave his country and move to Berlin.

The project is a multi-genre series of digital prints and videos of urban daily life. Despite their apparent diversity, the paintings share a common theme: a set of endlessly repetitive actions. The situations depicted are not isolated moments in life, but rather parts of endlessly repeating cycles – day after day, year after year, generation after generation… Going to the grocery store, coming home from work, brushing their teeth in the morning, having a smoke on the balcony, surfing social networks on the phone – people do most of those things constantly and continuously. Repetitive Actions explores the idea of the hidden power of the „boring“ daily routine. The actions depicted in the paintings themselves are inconspicuous and trivial. But when triviality is repeated everywhere and uninterruptedly, it acquires tremendous power over our lives. Perhaps the most notable work of the project, School Class, an allusion to school group photo shoots, is, from the author’s point of view, an embodiment of this phenomena of repetitive action. Similar photographs are kept at home by almost every person on our planet. Despite changing generations of teachers and students, the strict, nearly totalitarian structure of school life remains unchanged.

There is another dimension to the project: the historical or, one might say, national. Made in Russia, Zeldovich’s works naturally reflect the urban life of Russia and the countries of the former Soviet Union. But phenomena and experiences depicted in these digital prints are universal and equally understandable to European, American, and Asian people.

The works in this project are also united by the visual approach that can be observed in most of Pavel Zeldovich’s works: an ironic contrast between the external deliberate decorative effect and the ambiguous and sometimes even depressing phenomena depicted in the paintings.

The technique of the works based on 3d modeling is largely the product of Pavel Zeldovich’s long international career as an architect. He was a student and later colleague of the great Zaha Hadid, famous for introducing advanced computer-aided design techniques into architecture. By becoming an artist Pavel applies his computer skills, acquired during many years of work as an architect, in a completely new capacity.

The artistic influences which have shaped
Pavel Zeldovich as an artist reflect the path of many contemporary artists from the former Soviet Union: echoes of the legacy of Soviet Socialist Realism mixed with influences from postwar modern art in the West. In Pavel’s case, the latter includes American photorealists of the 1970s such as Richard Estes, Ralph Goings, Chuck Close, and Charles Bell. The basic principle of their work has largely shaped the Repetitive Actions project. These artists deliberately and meticulously reproduced on their canvases the „dull“ places of the American backwoods. The act of recreating a trivial place or object transformed these supposedly insignificant things into something important and majestic. Reinterpretations of Soviet Socialist Realism (largely based on the traditions of the Renaissance) can easily be found in many of the works of the Repetitive Actions project, above all in Pavel’s particular love for circular compositions-rotundas, which in many ways parody Soviet decorative stucco on monumental facades.

About the artist: Pavel Zeldovich studied architecture in Moscow and Vienna, and before turning to arts, he worked in architectural firms in Vienna, London, Moscow, and New York, most notably in the internationally famous firm Zaha Hadid Architects. Before moving to Berlin due to the Russian invasion of Ukraine, Pavel participated in numerous exhibitions in Russia and abroad.

About the gallery: HAZEGALLERY was founded in 2019 with the mission of sharing Berlin’s young contemporary art scene with the world through exhibitions, pop-up shows, and art gatherings. More information: www.haze.gallery Opening hours: Tue – Friday 11am–3pm Saturday 1–4pm Sun. Closed Mon.Closed

The eponymous label Olivia Ballard premiers its first runway show at Berlin Fashion Week on Thursday the 19th of January.

By /NEWS/
The eponymous label Olivia Ballard premiers its first runway show at Berlin Fashion Week on Thursday the 19th of January. ‘At Dusk’ - The Fall/Winter Collection will be shown in MaHalla Berlin at 20:00.

The eponymous label Olivia Ballard was establish in 2020. In the past 3 years, 27 year old Olivia Ballard has left a graceful yet strong mark within the German fashion circuit. Through her carefully selected materials she explores the ways in which the body can shape form, life and individuality to each handmade garment. Her designs symbolize a harmonization of different physicalities and identities, hereby continuously questioning both beauty standards and consumerism. While rooted within Berlin nightlife, Olivia Ballard dresses, pants, tops and swimwear have gained worldwide attention and can be found in stores around Berlin, New York, Amsterdam, and London.

Having spent the past years working and reworking the fringes of her statement materials and designs, Olivia Ballard will present her new collection ‘At Dusk’ FW23 at Berlin Fashion Week 2023. Dusk resembles an in between tension; a transition into the other or the next. As we transition from light to dark, we tend to slip into our comforting garments, or shift gears and indulge in the aesthetics of the night. It is right on the cusp of these pillars of life where Olivia Ballard will create and collaborate. ‘At Dusk’ plays with these intersections and imagines clothing which blend the barrier.

The event will be held in MaHalla’s Black Hall. This striking building placed in the midst of a historical industrial area in Schöneweide embodies the dusky tension between an intimate display of creativity and a sensation of magnitude and accessibility for all.

Saint Precious, an up and coming contemporary soul artist who works within the realm of electronic music, will open the show. Immersed in a soundscape composed by Dawud of Psssh Records, models will circle around the 76-meter stage affording guests an intimate view of the collection. Filip Setmanuk, a Berlin-based CGI Artist who uses video-games engines to create virtual worlds, will scan the models and digitally rendered the show. The artificial 3D landscape will be released and navigated in February 2023. ‘At Dusk’ will last approximatley 45 minutes followed by a private afterparty in the lower labyrinth of MaHalla for VIP guests.

Start show: 20:00
Doors open at 19:00
Afterparty: 21:00 till late
MaHalla Berlin: Wilhelminenhofstraße 76, 12459 Berlin
Public transport: Direction S Bahn Schöneweide, tram: Rathenaustr./HTW
Use the code OLIVIAxMILES for a credit of €20 for new MILES customers

The show is part of the new format BERLIN CONTEMPORARY and is supported by the Berlin Senate Department for Economics, Energy and Public Enterprises in cooperation with the Fashion Council Germany.

Olivia Ballard has been selected by Fashion Council Germany to showcase her latest work, thereby participating in their quest for a visionary, technological and sustainable future of the global fashion industry.

Berlin Fashion Week – An International stage for fashion and design. Since 2007, Berlin Fashion Week has been one of the most important fashion weeks in Europe. Numerous high-caliber runway shows, installations, trade fairs, conferences/panels, exhibitions and side events for trade visitors and also fashion-conscious consumers are making the German capital a trend-setting hotspot for the national and international creative scene and to underline the city’s cross-disciplinary significance as the European Capital of Creative Industries. One of the core themes of Berlin Fashion Week is the consistent promotion of national design excellence and up-and-coming newcomer brands. The focus is on sustainability, inclusion and innovation, implemented through exceptional fashion in design, production and presentation.

For press related inquires please contact:
Info@eva-mikelatou.com

For information regarding sales:
salesoliviaballard@gmail.com

and for all other inquires:
contactballardballard@gmail.com

#opencall Exhibition Opportunities

By /NEWS/
#opencall Exhibition Opportunities

HAZEGALLERY BERLIN wishes all creative people a Happy New Year and offers 20 % discounts on entry fees in all our OPEN CALLS 2023 until 29 January inclusive!

09.02.- 18.02.23 / Hidden Flames / Nude Art
23.02.-04.03.23 /Andy Warhol in Me / Pop Up Art
08.03.- 18.03.23 / Triumph of the Women / Art by Women
23.03- 02.03.23 / HAZE BAZAAR 002 Spring Ed. / Fashion & Art Fair
25.05. – 03.06.23 / Wild Souls / Animal Art
22.06. – 02.07.23 / HAZE BAZAAR 003 Summer Ed / Fashion & Art FAIR

Participation with New Year discount:

ORIGINALS 1-5 works =64 Euro  (instead of 80 EURO ) + VAT

ORIGINALS 6-10 works = 128 Euro  (instead of 160) + VAT
Works up to 100x100cm are accepted, participation of several authors, art groups, art studios is allowed;

For participants from other cities:
Delivery and packaging of originals in both directions to gallery (Berlin GER)  and back at the expense and responsibility of the Artist.

For artists:
– Participation in the exhibition, entry Fee 80 – 135 Euro (20 % discount until 29 January ’23)
– Installation/Dismantling
– E-newsletter and Social Media promotion (21,000+ gallery&magazine subscribers)
– Gallery designed e-invites for artist distribution
– Opening reception
– Press-release and promotion
– Details of the exhibition on our website
– Pricing advice and sales support
–  Curatorial advice
– Wall-mounted artist statement and artwork listing
– Post about each participant in the social networks of the organizer;
– Commission of the gallery for the sale of works – 30%

Works are accepted in any genre, in any technique and media, graphics, watercolours, sketches, photos, Collages, a canvas on a cardboard.

APPLICATIONS are accepted by email contact@haze.gallery with a subject of the exhibition you are interested in.

1) Send your info:
Bio, CV, City, links to social networks + a short text of intend.
2) Send photos of your artwork, sign each one in the file name before you send it:
Title size materials cost.jpg
(Title 70×50 cm oil on canvas 700 EURO .jpg)
3) Payment of the entry fee is due once your application is approved; the number of places/walls is limited!

 

Any questions:
contact@haze.gallery
+49 (0) 1746127171

Viola Patzig „flowers of ordinary“

By /FASHION/, /NEWS/

flowers of ordinary

photography: Viola Patzig @violapatzig
model: Dadi Poulain @dadipoulain, Jens Schabbach @skinny.wizzard
design & styling: Adrian Stoica @adria_tica
label: des FILLES désir @desfillesdesir
makeup & hair: Tamisha Bahr @tamishabahr
location: Studio Batterie @studiobatterie